About SŌ
Born in Brussels in 1988, SŌ le Grelle is a Belgian artist entirely dedicated to abstract painting. Her work stems from an intimate relationship with gesture and material, in a practice where painting becomes a language in its own right.
Her practice is rooted in an ongoing exploration of gesture, material and colour.
Creative from an early age, she gradually transformed a physical reality—essential tremor—into the starting point of her artistic process. Rather than working around it, she embraces it as a force that reshapes the gesture itself.
This has led to a distinctive approach to painting, where control and unpredictability coexist in constant dialogue.
She has developed alternative methods, exploring the depositing, removing, stretching and flowing of paint.
The surface becomes a space for experimentation. The hand adapts, searches for new possibilities and composes through the instability of the gesture.
Within her abstract universe, colour plays a central role. Her paintings oscillate between intensity and restraint. Vibrant chromatic passages meet quieter areas, where warm white structures and opens the pictorial space.
Her work unfolds at the intersection of instinctive gesture and deliberate composition, in a continuous dialogue between control and surrender. From this delicate balance emerges a pictorial language in constant movement.
La pratique de SŌ se déploie aujourd’hui en séries. Chacune explore différentes tensions entre matière, couleur et espace.
Elle conçoit la peinture comme un processus vivant. Un espace où l’imaginaire du spectateur prolonge naturellement l’œuvre.
(SŌ le Grelle is the artistic name of Sophie le Grelle-Goethals, a Belgian abstract painter. She should not be confused with the illustrator Sophie Le Grelle, who is a different person.)
Approach
Since 2023, SŌ has been developing her studio practice through a largely self-taught approach, centred on the ongoing exploration of gesture, material, and colour.
Her studio is a space for experimentation, where each work forms part of an ongoing process of inquiry. Trials, observation, and exploration gradually shape a pictorial language that continues to evolve.
Milestones
2025 — Establishment of her studio in Saint-Gilles and beginning of an intensive practice in her personal studio.
2023–2025 — Artistic research at the Ateliers de Sophie.S.
2005–2006 — Art studies, Institut Sainte-Marie.
2000 — Painting workshop with Béatrice Cols.
Painting has become the truest way for her to be in the world.
Creativity has been part of SŌ's life since childhood. From an early age, she drew, painted, imagined and turned every space into a place of expression. Yet before allowing herself to devote her life to painting, she chose to follow a different path.
For many years, she believed she had simply put her passion on hold. In time, she realised that by protecting herself from the judgement of others, she had also turned away from a part of herself. Her return to painting is not a new beginning, but a reconciliation.
That detour never distanced her from her artistic sensibility. Instead, it gave her the time to shape her perspective, deepen her convictions and understand that what lives most deeply within us always finds its way back.
Today, her practice is guided by a single commitment: to create with integrity. Each painting reflects an ongoing search for balance, presence and truth, free from trends and external expectations.